16,718 로열티 프리 오디오 트랙들 "Midi Files Containing Pitch Bend Data"에 대한

833 cents scale step 7 (0). 833.09 cents. φ {\displaystyle \varphi }  2⁄ φ {\displaystyle \varphi }

833 cents scale step 12 (5). 230.41 cents. 1⁄6/ φ {\displaystyle \varphi }  4

I-IV-♭VII-IV chord progression. Barre chords on a MIDI acoustic guitar: C-F/C-B♭-F/C.

Midi-fil av folkemelodien Kjerringa med staven. A folktune from Norway

Compound duple drum pattern: divides two beats into three. Created by Hyacinth (talk) using Sibelius 5.

Northern Lights chord. Created by Hyacinth (talk) 16:19, 2 October 2010 using Sibelius 5.

833 cents scale step 1. 99.27 cents. φ {\displaystyle \varphi }  4⁄4 φ {\displaystyle \varphi }

833 cents scale step 11 (4). 99.27 cents. φ {\displaystyle \varphi }  4⁄4 φ {\displaystyle \varphi }

Habanera tresillo rhythm for comparison with 3:2 polyrhythm.

*Augmented octave and diminished unison on C = C♯. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: none Note how the diminished unison is essentially equivalent to the augmented unison.

Augmented chord progression: V+75 I. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Takt 1-8 des esten Satzes aus Beethovens Klaviersonate Opus 109

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 05:08, 14 July 2011 (UTC) using Sibelius 5.

Secondary supertonic chord: ii7/V - V/V [- V] in C major (a7 - D7 [- G]). Created by Hyacinth (talk) 15:14, 18 July 2010 using Sibelius 5.

Diatonic scale on C, staccato articulation.

Passage aus der sechsten Variation des dritten Satzes aus Beethovens Opus 109

Diatonic scale on C, legato articulation.

Vivace aus Beethovens op. 79 und Reduktion nach Alfred Rosenberg

833 cents scale step 4. 466.18 cents. φ {\displaystyle \varphi }  3⁄2 φ {\displaystyle \varphi }

Habanera rhythm (tresillo) and 3:2 polyrhythm alternating for comparison.

A few bars (30,32, etc.) from Schuberts song "Der Lindenbaum"

Augmented chord progression: V+65 I. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

An excerpt from the traditional Latin song "Adeste Fideles". Created by Hyacinth (talk) 22:50, 1 February 2012 (UTC) using Sibelius 5. See: :Image:Adeste Fideles sheet music sample.svg

An arpeggiated chord. Created by SreeBot (talk) using Sibelius 5. GFDL-self

Polly-Wolly-Doodle

833 cents scale step 3. 366.91 cents. 1⁄ φ {\displaystyle \varphi } /2

Variation 3 des dritten Satzes aus Beethovens Klaviersonate Opus 109

First nine measures of the Grand Sonata in F minor, Opus 77 by Dussek

833 cents scale step 14 (0). 466.18 cents. φ {\displaystyle \varphi }  3⁄2 φ {\displaystyle \varphi }

Tone row of Webern's Variations for piano, op. 27.

Ausschnit (sul una corda) aus dem zweiten Satz von Beethovens Opus 109

Diatonic scale on C, tenuto articulation.

Ausschnitte aus Mozart Klaviersonate KV 332 (erster Satz)

833 cents scale step 13 (6). 366.91 cents. 1⁄ φ {\displaystyle \varphi } /2

Augmented chord progression: V+43 I63. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Eight bar blues, guitar chords: I V7 IV7 IV7 V7-IV7 I V7.

Variation 1 aus dem dritten Satz von Beethovens Klaviersonate Opus 109

833 cents scale step 5. 597.32 cents. 1⁄3/ φ {\displaystyle \varphi }  3

Bach, Sinfonia in F minor BWV 795, mm. 1-3, composite rhythm.

Slendro vs whole tone scale on C

Berg violin concerto tone row

C6add9 chord.

Leitmotif of Siegfried form Act III of opera.

3:2 polyrhythm for comparison with the Habanera tresillo rhythm.

Variant of the Habanera rhythm.

Scarborough Fair arranged for 2 flutes and harp with 2 variations "Scarborough Fair" arrangiert für 2 Flöten und Harfe mit 2 Variationen

D chord in all fourths tuning.

Johann Sebastian Bach (21 de marzo de 1685 - 28 de julio de 1750) MIDI file of dubious quality.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.